Lattices of Meaning: Transmedia as Metapoetry
- Chris Masson
- Dec 9, 2025
- 2 min read

Poetry is one of my great loves. There is little that can compare with reading the perfect line. When words are laid with overlapping meanings and transcendent imagery, my brain lights up and purrrrrrs.
Well-executed transmedia does the same brain sparking thing. I'm slightly embarrassed that it took me so long realize the similarities.
Transmedia is Meta-Poetry
Think about what poetry does: It bends language until it glows. It stacks two images in a way that creates a third, invisible image in the reader’s mind. It plays with absence as much as presence, with breath, rhythm, surprise. Poetry is a technology for meaning that exploits form itself.
Transmedia does the same thing, except its “form” isn’t line breaks or meter. Its form is medium. And of course, medium is message.
A novel whispers in the reader’s mind. A video game puts their hands on the machinery of fate. A podcast presses a voice into their ear like a secret. A comic book crystallizes moments into panels and gutters where time itself can be rearranged.
Devices Casting to Devices
When you stitch those forms together deliberately, with intention, you get a constellation of poetic devices operating on a story world scale. Which devices...?
Juxtaposition:
Poetry does it with images: “what rough beast... Slouches toward Bethlehem?” Transmedia does it with modes: a character who is authoritative in a documentary becomes fragile in her diary podcast and downright unreliable in the ARG chat logs. The audience triangulates meaning. They become the poet.
Enjambment:
In poetry, a thought spills across the line break. In transmedia, a story spills across platforms. The break itself becomes a meaning generator. What is said in the pause between “episode” and “wiki page”? Between “cutscene” and “fan-discovered voicemail”? The audience steps into the caesura.
Ellipsis
Poetry knows the power of what isn’t said. Transmedia turns that into a narrative ecology. A missing video file, a redacted field report, a half-remembered rumor from a side character on Instagram — these are absences that shape the story’s gravitational field.
Polyphony
Poetry calls it voice layering. Transmedia calls it POV architecture. Either way, we get a chorus that is only whole when the audience listens from multiple angles.
And this is not exactly a poetic device but there's something to be said about interactivity as metaphor: Poetry invites interpretation. Transmedia invites navigation. In a participatory medium, the reader doesn’t just statically interpret a metaphor, they move through it. They embody theme through choice, discovery, pace, and friction.
What. Have. We. Done.
Ummm... does this make transmedia the largest poetic form we've invented? A sonnet can hold a slice of the universe. A transmedia world can hold the entire ecosystem in which meaning happens.
It’s poetry scaled up from canto to culture. It’s meter made of media. It’s verse written in and on multiple technologies.
And when it lands, it hits with the same sensation as a perfect poem: That feeling of stepping suddenly into a ecstatic widening of the world. A world inside your head. Mind blown.


Comments